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Volume
19, Number 35, December 16th, 2001
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Holiday
Makeover #1 -
Subtle Sexy - by Eva |
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It's
Holiday Party Time and
Read on for
one great Holiday look this year! We love Subtle
Sexy - the idea is to glam up without going over the top. It's great for
Holiday Parties when you want a change Step One: Start with the ultimate skin/makeup prep. Dermanew! Dermanew is our hand held Microdermabrasion Machine that polishes the skin with out leaving any redness or irritation. It leaves a glowing effect. One that is ready to accept makeup perfectly allowing it to go onto the skin smoother than ever before. We use it before our Bridal Makeup Applications at MakeUpMania NY store. When I'm going out to a major event - I always use it right before I shower. Step Two: Using your makeup sponge - apply a lightweight moisturizer. I use a very light application of Anna Carera's Sensitive Creme. It is perfect for all skin types and even though it a cream it applies light weight and is a perfect pre-makeup moisturizer. Let the moisturizer settle into the skin for a few minutes. Apply a pretty heavy layer of Apookalps Lip Nourishment and let it remain on the lips for the duration of the makeover. Step Three: My favorite, favorite foundation right now is Bio-Fond by Gerda Spillmann. I use it with water and it creates the most beautiful finish. And because you are using it wet - it works with undertones so you don't have to worry about it matching your skin as perfectly as you would with a foundation like RCMA. I put a little bit of water in the top of the compact and get my sponge a little wet. Then work the foundation into the sponge and dab a little bit of water onto the sponge again. Apply to the face with downward strokes from top to bottom. Blend out to the right coverage you want. Sheer, in the areas that you want to see your real skin through and stipple (lightly tapping the sponge onto the same area repeatedly) a little heavier where you want the coverage. You will see the way the Gerda Spillmann works with the water and it is completely workable after it dries. If you want to thin it out - dip your sponge in a little water and blend it out more. Or if you need more coverage dip your sponge in to the Gerda Spillman and stipple on a little more coverage. This is why I just LOVE Gerda Spillman - it's abilty to keep working until you are satisfied and then the absolute beautiful natural coverage it gives. Just gorgeous! Step Four:
For discolorations on the face or under the eye - use a Camouflage Brush.
The
Camouflage #6 Pointed is good. Use the Gerda Spillman wet again and
cover the discoloration. Use a little tapping motion with the brush on
top of the discoloration to keep the coverage and give the heavier makeup
skin texture. Add makeup or blend out with water if necessary. If you
require more coverage for discolorations - you should move into a heavier
concealer. discoloration
before _______concealer wrong________concealer
correct Usually I use RCMA as a concealer - match your skin tone exactly and apply to the discoloration only. Blend out so it looks smooth - but do not lose the coverage you have applied. Then cover lightly with a very sheer veil of your Gerda Spilmann foundation to bring the two products together and look more natural. For powdering under the eye - I rarely use regular powder - instead I use the Chinese Rice Powder in White. It has a super fine mill and it brightens the eye area. I use the Squirrel Mini Crease Brush and charge it up with the Rice Powder. Gently ROLL the brush under the eye to release a very light amount of the powder. Brush off excess. You can also use this powder for the eyelid. Step Five: If you have very light skin - you can use the Rice Powder on the rest of your face too. Since the beautiful thing about the Gerda Spillmann is the natural coverage - you don't want to Matte it out too much - so apply the powder with the Squirrel #37 Medium Powder Brush instead of a powder puff. When I am working with heavier foundations such as RCMA, Tuttle, Visiora or Cinema Secrets I like to work with a powder puff because it really sets the makeup. But with Gerda Spillmann - I have found that I like a light powder - it gets too heavy looking of you over powder it. If you are very oily - you may need to use the powder puff method anyway. Apply powder lightly all over the face. Step Six: The Brows. The eyebrows frame the eye and the classic brow is always in style. Brows are so important that I know MUArtists that lecture JUST on brows. Needless to say - we don't have time for a full lesson on brows here - but the idea of the proper brow is shown below:
Marking the Brow
is the first step to getting you brows into shape. Use a straight edge
like a long eye pencil. Hold the pencil vertical from the center
of the nostril - not the outside of the corner! Some girls' noses are
too wide for that - but the center of the nostril works every time. Line
the pencil straight up past the brow. Mark it with the pencil where it
meets the brow area. (a). This where the brow should begin.
The hair like strokes should have a tapered end. As you can see in the picture above, the hair like strokes should mimic the natural growth pattern of the hair. It takes practice - but it looks real when you are finished. After you have designed, corrected and filled in your brows using this technique - take a Brow Brush and comb through the brow to soften the pencil you just applied. Use La Femme's Dark Brown Eyeshadow (or Taupe or other appropriate color) and a Mini Brow Brush to apply a little powder smoothly all through the brow in the direction of the hair growth. Make sure the end of the brow is thin and tapered and has a lift upward rather than downward so as not to drag the eye area down.
Step Seven: On to the eyes! This step is important! You want your eyes to look sexy and dramatic - but still natural. Here's the trick: Use the Professional Taupe Pencil (yep - it's a handy little pencil!). Looking straight into the mirror- with your eyes open - mark the crease (if you can see it with your eyes open) - or just above the crease (if you can't see it with your eyes open.) Now that it is marked - go ahead and draw the crease in with the Taupe Pencil. Take it in toward the nose and drop it smoothly to the inside corner of the eye. Let the crease end on the outside corner higher than the natural crease line. Like This: normal
crease "before" eye_____eye with
hidden crease "before"
normal
crease adding taupe pencil ___e hidden
crease edding taupe pencil (See how you
can cheat the depth of the crease in by marking it with the eye open!
It lets you see really where that crease needs to be when the eye is open.
And it helps to "lift" the eye.) Now take your Camouflage Pointed
#6 Brush and blend out the Taupe Pencil. You should blend it so it looks
like a natural shadow and so it does not look like not makeup. Be careful
not to blend the pencil away - there is a fine line between making it
a shadow and blending it completely off. Add Goldmaker to the center of the eyelid and blend it evenly on the ball of the eye. Use the LaFemme Black Matte Cake Eyeliner and with the Taklon Pointed Definer Brush - paint on an "Italian Eyeline". The Italian Eyeline has a little lift on the end of the eyeline. To achieve this - lift the brush off the skin as you end the eyeline - that will give you that beautiful perfect point at the end. Like this:
Curl you lashes.
Important Ladies - It gives the eye an open and vibrant effect and it
works well with the false lashes we will be applying later.
Step Eight: For cheek color application, use the Squirrel #37 Medium Powder Brush. I know it says it's a Powder Brush - but I call it my Diva Brush. I use it all the time and it is the perfect blush brush - it is so soft and light that it picks up very little color and delivers very little color. This is how blush should be worn now. Just a hint of color to help define the bones - but it shouldn't look like blush. Apply a cheek color like LaFemme's Peach Sparkle (I have used this many times with great success on many skin tones.) Apply it lightly just under the cheek bone in small/ light upward strokes - not very going very far up - just slightly up and over the bone and following the underside of the cheekbone at the same time. Do not bring the cheek color too far forward or it will make the face look flat or pinched in. I use the outside corner of the iris of the eye as a visual stop point. Now using the Squirrel #7 Fan Brush apply a little of what I call "high color". It can be the same color you use under the cheek bone or a brighter color like La Femme's Brick Red or Coral. Since the Fan Brush is so delicate, you can use brighter colors than you would normally use to add a natural flush to the face. In a light down motion - just hit the height of the cheekbone or the apple of the cheek. Step Nine:
Lips. The look now is glossy - but gloss does not define the lips. At
MakeUpMania NY - I have used a method that is going over like wildfire
and here's the secret:
Enlarging this
area by pushing the pencil up and just out of the natural lip line - makes
the lips looks fuller, plumper and larger without looking like you have
drawn a line on the face. And it will not give you the double line effect
drawing outside the lip line tends to do.
Step Ten :
Apply False Eyelashes. La
Femme False Eyelashes - Fine (natural yet luxurious) in Black (Of
Course!) Applying False Lashes is do-able. Most of the time I have noticed
that women are intimidated by false lashes and I see that they have problems
with them because they are not fitting the eye properly. Or the glue is
inferior or placed on the false lash wrong. So just make sure you trim
them appropriately so they fit, use a good quality eyelash adhesive and
give yourself enough time so you are not rushing it. It takes a little
practice but the effect is Ultra Glamour! At the end of
every makeup - I touch up on the powder if it's needed. And the cheek
color may need to be adjusted after the value of the eyes and lips are
established. Best Wishes Always, Eva Marie
If
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more info call MakeUpMania Santa
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